- #THE MAN WHO KNEW TOO LITTLE DISC MOVIE#
- #THE MAN WHO KNEW TOO LITTLE DISC 1080P#
- #THE MAN WHO KNEW TOO LITTLE DISC SKIN#
The one part that's hard to hear is when Louis whispers his dying words to Ben, although that part is supposed to be pretty hushed anyway. Dialogue is easy to understand throughout the movie. Here we're treated to a very well-rounded mono track that is prioritized very nicely. Much better than its anemic video counterpart. This is a pretty substandard transfer of a great film.īarring a few sync problems that crop up on the bus portion of the movie, the DTS-HD Master Audio 2.0 mix performs rather well. They waver somewhere around a bluish shade of black, which in turn creates the ghastly appearance of Doris Day's face. The color flickering gets really bad around the hour mark, along with all sorts of film damage – scratches, pockmarks, and grime – popping up all too frequently.
#THE MAN WHO KNEW TOO LITTLE DISC SKIN#
Her skin takes on an unsightly shade of gray for much of the movie.
#THE MAN WHO KNEW TOO LITTLE DISC MOVIE#
Speaking of color, much of it in the movie is dull and appears scrubbed. It's a tremendously bothersome activity that persists throughout the movie. The same scene will subtly switch from a green tint to a blue tint and then back to green over and over. This entire disc has extreme troubles with color pulsing. They also reveal some nice textures on suit coats, plaid pajamas, and floral print dresses. These close-ups show some of Doris Day's freckles along with Stewart's graying hairs. There are spots in the movie where close-ups showcase quite a bit of detail that would've gone unseen in previous releases of the film. There are some glaring technical problems that will be addressed here, but I'm sure most fans will be extremely disappointed with the way this one turned out.įirst we can talk about the good.
#THE MAN WHO KNEW TOO LITTLE DISC 1080P#
Its 1080p presentation wavers from decent to downright atrocious. This is one of the set's more troublesome transfers. For fun we've posted a picture of the section in the set created for 'The Man Who Knew Too Much' so you can see what it looks like. While there may be more revered movies in Hitchcock's catalogue that take on this theme, 'The Man Who Knew Too Much' proves to be a very capable thriller, starring a believable Jimmy Stewart.Ĭheck the main hub page for the complete detail of the packaging of this set. There are scenes that feel like filler, adding nothing to the overall suspense of the movie. Hitchcock's original movie was a brisk 75 minutes, this version clocks in at just under two hours. What follows is an exciting spy caper that is decidedly Hitchcock. Lacking the specific set of skills that Liam Neeson has, Ben must thwart the plans of the assassins using his brains instead of his fists. Their son is kidnapped to keep Ben quiet about what he's learned. In that very moment Ben has gone from an innocent bystander to a man who knows far too much, as the title suggests. Before he dies he whispers the details of an assassination plot to Ben. The next day, while the MacKennas explore a nearby market, they witness a murder. Although, Jo soon points out that she feels like these happenstance meetings don't feel like coincidences. The MacKenna's also meet the Draytons, another vacationing couple. They soon befriend a nice Frenchman named Loius Bernard (Daniel Gelin) who appears a little suspicious, but is still welcomed by Ben with open arms. While vacationing in Morocco the MacKenna family is thrust into a game of political intrigue that they aren't ready to handle. Doris Day plays his wife Jo, but she doesn't have near as much impact as Stewart has on this movie. Mainly due to James Stewart's great performance as Dr. Continuing with this theme, 'The Man Who Knew Too Much,' a remake of his 1934 film, plays with the idea of what an ordinary man would do when faced with extraordinary circumstances.īesides the fact that the movie spawned one of the funniest spoofs ever (we desperately need a 'The Man Who Knew Too Little' Blu-ray release), 'The Man Who Knew Too Much' remains one of Hitchcock's seminal films. Hitchcock made it easy to feel the dread that the main character was feeling, because it was so easy to put ourselves in that situation. Just like him, we knew next to nothing about the underlying mystery. This formula worked so well because it was so easy to relate to the protagonist. A seemingly normal man, thrown into a world of intrigue, espionage, and above all, danger, simply because he was in the wrong place at the wrong time. Hitchcock found enormous success in retooling his favorite go-to storytelling idea, which was a man wrongfully accused.
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